Edges for large ensemble (0:00), Confessions of St. Augustine for sop, cl, pf (0:43), Like a Fantastic Ague for large ensemble (1:33), Penumbrae for cl, vn, va, vc, pf (2:49), Buffalo Dance for alto sax, pf (3:38), Downward Courses for pf (4:36), Calder Cadences for fl, cl, vn, vc, pf (5:26), Traces for pf (5:57), Edges (6:44), Threnody for cl, va, pf (7:48), Pentimenti for large ensemble (9:23), Penumbrae (10:22).

WORKS

PIANO

NOCTURNE for piano (2023)

SONATA for piano (2023)
(Comissioned by Viktor Valkov)

EIGHT MAZURKAS for piano (2020)
(Recorded by Viktor Valkov, set for 2022 release on the Albany Records label featuring the piano music of Luke Dahn)

GIUOCO PIANO for piano (2018)
(written for Viktor Valkov; Review: "The movements are exceedingly brief, but each is beautifully formed and colored, and all engage the ear... I’d like to hear more from this composer.")

LETTERS for piano (2018)
(written for pianist Ann DuHamel in a collaborative project with composer Joseph Dangerfield)

TRACES for piano (2009)
(written for pianist Ryan Fogg)

DOWNWARD COURSES for piano (2006)
(written for pianist Ryan Fogg, who recorded the piece for Albany Records (TROY 1069))

CHAMBER & SOLO

HÄTTE ICH FLÜGEL GLEICH DEN WINDEN for violin and piano (2023)
(Comissioned by violinist Timothy McMurray)

COUNTERPLAY for trombone and piano (2021)
(Comissioned by Utah Symphony principal trombonist Mark Davidson)

FIVE for five–string Baroque violoncello piccolo (2020)
(Comissioned by cellist Ka–Wai Yu)

PASSES for clarinet & bass clarinet (2020)
(Comissioned by clarinetists Shandra Helman and Brandon VanOrden)

RICHTER 938–5 for oboe, bassoon & piano (2020)
(Original version comissioned by oboist Erika Qureshi & French hornist Osvaldo Rodriguez, revision written for performance at the 2022 International Double Reed Society (IDRS) Conference)

TEAL for two clarinets (2019)
(A minimalist work composed using material from Hypallage for violin+clarinet+piano)

3x3x3 for nine oboes (2018)
(Winner of a competition celebrating the 333rd birthday of J.S. Bach)

GRAY BEHIND GLASS for clarinet, violin, cello, piano (2018)
(written for the SOLI Chamber Ensemble)

THE IMPEDED STREAM IS THE ONE THAT SINGS for flute, cello, piano (2017)
(written for the Leviathan Trio; movements based on poetry and prose by Wendell Berry, W.H. Auden, Kathleen Norris, and Christian Wiman)

THRENODY for clarinet, viola, piano (2016)
(Written for Ensemble: Peripherie; performed at the 2019 SCI National Conference)

HYPALLAGE for violin, clarinet, piano (2015)
(Semi–finalist in the 2015 Rapido! Competition)

DAVON KAM DER TOD SO BALD for flute, alto sax, cello (2015)
(Written as part of a collaborative work called the "Cruci Project" that included an artist (Eric Robinson), several composers and poets)

CALDER CADENCES for flute, clarinet, violin, cello piano (2013)
(Performed at Carnegie Hall by Ensemble: Peripherie for whom the piece was written; NY Concert Review "I suspect that Calder would have heartily approved of both the music and the exceptional performance from EP")

CONFESSIONS OF ST. AUGUSTINE for soprano, clarinet and piano (2012)
(Written for soprano Michelle Crouch; also arranged in versions for soprano+piano and soprano+orchestra)

KYRIE for a cappella SATB choir (2012)

DASH for brass quintet (2011)

PENUMBRAE for clarinet, violin, viola, cello, piano (2008)
(written for the Moscow Conservatory Studio for New Music; Winner of the 2010 League of Composers/ISCM Competition)

BUFFALO DANCE for alto sax and piano (2008)
(written for Kenneth Tse; Winner of the 2014 6th Biennial International J.D. Robb Composition Competition)

(EX)CHANGING (EX)TRACTS for violin and piano (2007)
(Written for violinist Wolfgang David and pianist David Gompper)

LARGE ENSEMBLE

PENTIMENTI for large ensemble (2017)
(written for the University of Iowa Center for New Music)

CONFESSIONS OF ST. AUGUSTINE for soprano and orchestra (2014)
(Written for soprano Michelle Crouch; also arranged in versions for soprano+piano and soprano+clarinet+piano)

...LIKE A FANTASTIC AGUE for large ensemble (2011)
(written for the University of Iowa Center for New Music, directed by David Gompper)

AFTER DARKNESS, LIGHT for symphonic band (2009)

EDGES for large ensemble (2006)
(written for the University of Iowa Center for New Music, who recorded it for Albany Records (TROY 956); Sequenza 21 review: "terrific... Awfully damned good piece.")